To start, as with esoteric Judaism, Islam and Platonism, God is conceived as an ineffable oneness.
Let me share a quick take-which might be interesting to people on this thread. The esoteric philosophical background of Jesus and early Christianity is obscure, but it’s not that complicated. There have also been some flourishes in the show that have indicated some real artistic meditation/thought by the writers, for example when Jesus and John discuss the Torah and John is given the first insights into his eventual theology. The healing at the well, whose brother is made to be a militant apostle, is a great example. It is this problem that the Chosen so masterfully addresses: make the focus on the characters in the story, not Jesus, and thereby give a narrative form to what are otherwise brief, well-known stories. (I know, I know, it’s more nuanced than that…but the point being that a film director just can’t make a film about the gospels without making it seem like a random string of events with largely different people/places).
I think the second problem for Jesus films is due to the nature of the gospels themselves: outside of the Passion narratives, they are strung together stories with little narrative connection. Or if there is some grit/problem, there’s a “once saved always saved” bent to it where the problem is fixed and then the movie ends…as of life isn’t full of hardships after baptism/whatever! And, surprise surprise, that’s dreadfully boring. You pinpoint part of the problem: in an attempt to be reverent, shows or movies will make it all so pious as to remove anything earthly or real about it. As a believing Christian, if somebody comes along and says “hey do you want to watch this Jesus show/movie?” my honest answer is…not really! I went into the Chosen expecting it to be awful and have been very impressed by the story telling and production quality.
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